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Chediak, who calls himself "a frustrated musician and frustrated filmmaker," discovered Cuban music through colleagues of his father, who had been the attorney for Panart Records in Havana. Acknowledging his own lackluster attempts at filmmaking in college, he opened a cinematheque in the Seventies and went on to co-found the film festival, bowing out after it was acquired by Florida International University, whose officials wanted to explore 'new approaches to programming.'"
"Nobody's rushing to me with offers to back me, saying 'What would you like to do?'" Chediak acknowledges. "Now I'm just happy to try different things in music the way I used to in film. I'm not working for anybody. I'm doing this on my own, and I'm not depending on anybody's whims. It's at the point where [Fernando and I] are basically doing the albums we want to hear.
"We're riding the crest of the wave in terms of emotion," the producer adds, his bearded grin once again opening into a contented chuckle. "And it's quite lovely."