Critic's Notebook

What's happening, what's not, at the tip of the peninsula

To compound it, there doesn't seem to be much artistic exchange: Many companies use the same director for each play presented. This may make financial sense, but it's artistically stagnant. The good news, though, is that there are a few shining exceptions. Florida Stage and the Coconut Grove Playhouse regularly bring in excellent directors who offer a variety of creative visions. But few other companies bother to invite guest directors, even local ones.

• The performing arts mean good business. Our business and government ought to rethink their prejudices about the arts. Local movers and shakers tend to view the arts as a nuisance with little real-world clout. Yet recent urban-redevelopment histories have demonstrated the huge impact that the arts can have on reviving urban nightlife -- live theater and music inject direct revenue into restaurants, bars, bookstores, galleries, parking lots, and property values and add to the taxes all these generate. On top of this, arts-generated nightlife lowers personal and property crime rates, another hard-dollar savings for communities. How 'bout if local bigwigs wrap their tiny brains around this concept: direct, hard-money subsidies and rent-free space for the performing arts in specific localities. It works in New York, in London, in many cities. Why not here?

The performing arts attract upscale money and could be a significant draw for tourist and local dollars. Walk London's South Bank, and the Miami and Fort Lauderdale waterfronts don't hold up well in comparison. Tourists don't flock to London because of the chain stores and the megaplexes. They come for the nightlife, culture, and live entertainment. We should be thinking similarly.

Okay, so the seats are sometimes empty, but not for the reasons you think
Steve Satterwhite
Okay, so the seats are sometimes empty, but not for the reasons you think

• Real-life drama is better than fiction. Local theaters have recently experienced an explosion of new works for the stage. Companies regularly stage readings, some commission new works, and many produce world premieres of new plays on a regular basis. That's good. But most local writers seem to shy away from taking on local stories. The rest of the world hasn't looked away, however. Drug wars, hurricanes, murders of German tourists, Elian Gonzalez, the Bush/Gore election debacle, the fight over the Everglades, al Qaeda in South Florida. Where are the plays that tackle such subjects?

There are a number of other ideas in my notebook but no more space in this column. What are your thoughts? Readers' reactions are most welcome. If response is strong, we will run your comments in a future column.

« Previous Page
My Voice Nation Help