The Miami Light Project, a nonprofit cultural arts organization founded by Janine Gross and Caren Rabbino, gained a solid reputation soon after its debut in 1989. Today it is best known for bringing to Miami performances by renowned contemporary music, dance, and theater artists. Miami Light also commissions new works and provides an outlet for Miami's own avant-garde performing artists. In this town, however, unfettered artistic expression has been a complicated affair, particularly when Cuban nationals are involved. By the time Beth Boone became executive director of Miami Light, in May 1998, the complications had gained national notoriety, facilitated by a county law severely restricting the circumstances under which Cuban artists could appear here. Despite very real risks to her organization's financial health, in May 2000 Boone and Miami Light joined with the ACLU and several others in successfully challenging the so-called Cuba ordinance in federal court. With the law on her side, Boone proceeded to introduce Miami to a glittering array of Cuban artists. In just the past twelve months she's sponsored performances by Grupo Vocal Desandann, Los Fakires, and the legendary Los Muñequitos de Matanzas. But Miami Light has a much broader mission. Under Boone's guidance, in the past year alone we've had the opportunity to see Philip Glass and Foday Musa Suso, Meredith Monk, Laurie Anderson, and Miami's own Teo Castellanos as he created his one-man hit NE 2nd Avenue. That's the kind of cultural kaleidoscope that makes living in Miami worthwhile.