Arts & Entertainment

Getting Personal

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That was the way it was in that theater. And that, in a larger sense, was what was happening in theaters all over town, and all over the nation -- especially South Florida, with its strong New York ties. The show must go on, no matter what. Going to the theater -- and the opera and dance and musicals events -- has become a political act, a statement about what it means to be civilized in the face of barbarity.

The nightcap to Val's memorial was held at Wilson's, a comfortable, clubby bistro on the Upper West Side that was a favorite of hers and Sam's. The owners generously threw open the bar, and the kitchen served up a tasty buffet, all on the house. The musicians from the memorial came by and kicked in with a long jam of soul tunes. After a couple of drinks, the Wall Streeters began to break out of their gloom; when Val's younger sister stood up and took to the dance floor, the whole Wall Street crowd let loose three weeks of grief and shock. The joint was rocking, the band was smoking. The gleam was back in Sam's eye, for the moment anyway, and that was good. Once again the power of live performance made magic, bringing us all forward from September 11, compelling us to live -- desperately, wildly -- in the here and now.

This sweet, sad closing-night party was in full cry when I left, ready for the long trip back to South Florida, where more audiences in Palm Beach, Coral Gables, and everywhere in between will be seeking what these New Yorkers found that night: clarity, comfort, and a sense of community. As I walked out onto 79th Street, a full moon hung low over Manhattan. The streets were full of cabs cruising for fares, like fireflies in a New York July. But it was October, and a chill ran through the night air. I hailed a cab and began the journey home.

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