By Jacob Katel
By Laurie Charles
By Nate "Igor" Smith
By Abel Folgar
By Kat Bein
By Jacob Katel
The needle on my record player is wearing thin./This record has been playing since the day you've been with him." If you're in the lucrative 12-to-24-year-old pop-music target market, you've heard this refrain from New Found Glory's "Hit or Miss." Rock radio is playing it ad nauseam. It's being put into rotation on MTV. Even Guitar Center is plugging it on its in-store radio. Soon it will be damn near impossible to avoid. A kind of Britney Spears with rock guitars, the photogenic fivesome from Coral Springs is the TRL generation's great punk hope.
Before fame nestled on its doorstep, New Found Glory was four classmates at Marjory Stoneman Douglas High School. Bassist Ian Grushka, singer Jordan Pundik, guitarist Steve Klein, and a drummer known only as Taco Joe got together in May 1997 to kick out some Green Day-inspired jams. Soon afterward they heard Chad Gilbert, teenage vocalist for Revelation Records' hardcore act Shai Hulud, wanted to play guitar in a punk band and recruited him. After five months A New Found Glory (as the group was known then) recorded the five-song It's All About the Girls for Miami punk label Fiddler Records. While the band would grow musically and produce better records, the lyrical content was set in stone. Every single New Found Glory song to date is about guitarist Klein's relationship woes.
To promote It's All About the Girls, A New Found Glory played every all-ages haunt in South Florida that would admit its underage fan base. The group's Mexican-jumping-bean stage antics packed Miami's now-defunct punk palace Cheers (where Fiddler owner Amy Fleisher worked) and Davie's Club Q with hardcore boys and pop punk girls. About this time the band dumped Taco Joe for Cyrus Bolooki. "Taco Joe would rather mow his folks' lawn than show up to practice," snipes Grushka. "So we replaced him with someone who not only wanted to be in the band but could actually play the drums."
With its permanent lineup solidified, A New Found Glory was only hindered by its members' school schedules. Gigs were scheduled for weekends, vacations, and teacher workdays. Punk DIY ethic in full effect, A New Found Glory's initial road trip was far from glamorous. To get to gigs set up via e-mail with kids they met on Internet message boards, the musicians stuffed themselves into a Ryder box truck with Boca Raton emo band Vacant Andys. Four people squeezed in the front while six contorted themselves in the back. "We traveled Nazi-style," recalls Bolooki. "It was literally feet to neck." Ventilation was at a premium. Bolooki remembers: "The only way we could get air in the back was for the AC to be cranked full blast, so in the front they'd be in full winter gear while in the back we'd be practically naked."
Back in South Florida in October 1998, A New Found Glory went into the studio with engineer Jeremy DuBois to record its first full-length release, the twelve-song Nothing Gold Can Staywith Eulogy Recordings. Completed for $1200, Nothing Gold Can Stay is the greatest indie-rock bargain since the $600 Nirvana spent on Bleach. Powered by the aforementioned "Hit or Miss," Nothing Gold Can Stay's irresistible combination of pop hooks and guitar crunch melted the ears of all who heard it, including those of Drive-Thru Records' emo band Midtown. As soon as members of Midtown got their mitts on a copy, they played it for Drive-Thru's co-owner, Stephanie Reines. "We were in New Jersey, in the middle of a mall parking lot, and it was snowing," recalls Reines. "It was time to go, and Midtown said they had to play me a CD. I said, “No way! I'm freezing, I'll listen to it later!' They go, “You'll listen to it NOW,' popped it in, and started dancing in the snow with their shirts off. I was blown away. It was the greatest thing I'd ever heard, and I just knew I had to sign them."
Reines flew home to Los Angeles and set about wooing A New Found Glory to Drive-Thru. Since Drive-Thru has a manufacturing and distribution deal with major label MCA, the courtship was short. In the ultimate act of rock and roll altruism, Eulogy Recordings owner John Wylie licensed Nothing Gold Can Stay to Drive-Thru for the spare change needed to reimburse his pressing expenses. "John is our friend," affirms Gilbert. "We loved his label, but he understood we wanted to be as successful as possible and didn't stand in our way." Fiddler owner Fleisher has a different spin: "John didn't know what he had. None of us did."
Once in the Drive-Thru camp, New Found Glory dropped the "A" and Klein, Grushka, Pundik, and Bolooki all dropped out of college. Gilbert left J.P. Taravella High School without a degree. "I went to see the guidance counselor with my mom and told him the situation," he recalls. "He said if this is truly your dream, go for it! So I did."
Once freed from scholastic obligations, New Found Glory hit the road with abandon, touring with punk-rock luminaries such as Reel Big Fish, Less Than Jake, and Fenix Tx. To support the rising stars, Drive-Thru made a video for "Hit or Miss" starring former teen movie star Corey Feldman. The video, a sendup of Cops, made waves on JBTV and The Box. But for once, timing was not on New Found Glory's side. Gilbert expounds: "We showed it to MCA, and they told us they couldn't send it to MTV, because Corey shoves a nightstick up Ian's ass in the video. It turns out we shot it around the time the NYPD did the exact same thing to that Haitian guy, Abner Louima."