By Jacob Katel
By Laurie Charles
By Nate "Igor" Smith
By Abel Folgar
By Kat Bein
By Jacob Katel
"I hope so," Danny Lore answers when asked if he thinks AAA's fans get the social messages in the band's songs. Lore, the band's singer, songwriter, and bassist, says the band's image doesn't seem to be a major issue. He says South Florida doesn't offer any type of stimulation or dejection. He lives for music and draws inspiration from other people's tunes as well as his own experiences. "We don't pick a direction and say, 'We want this to sound like this.' We just write the music, and I write about whatever is pissing us off at the moment," he says. Lore's concerns range from government malfeasance and media deceptions to inner turmoil. "When I was young I didn't have any teachers who inspired me to pick up a book and read, or to learn and think for myself, it was Jello Biafra, the Subhumans, and Operation Ivy. That's maybe why the lyrics come out the way they do," he explains, referring to songs such as "At Our Expense," which deals with the controversial plutonium-powered Cassini rocket, or "12:00 AM," which emphasizes the need for a strong sense of self-worth.
During a recent show at Salvation in Miami Beach, their first gig here in more than a year, a random sampling of the young crowd confirmed that not all of the fans were there to hear a specific message; rather, they came to listen to some good music they heard about through word of mouth. Phil Labate is a member of Monica's Come-Stained Dress, a newly formed punk band from Broward County. He notes that "the lyrics in [AAA's] songs are everything. They share my views about government and society. They try to tell people to wake up, and they don't have to take whatever society is trying to shove down their throats." Labate is quick to point out, however, that many of the people at the shows don't actually delve into the band's lyrics. "Not all these people understand the lyrics," he says. "Most just come for the feeling of the music, for the common feelings of releasing aggression."
"Agression" is a good summation for AAA's trademark sound, a fireball that encompasses screeching guitars; thundering, tumbling bass; machine-gun-fast vocals; upbeat ska horns; and militarily precise drumming. It's a musical combination that began in 1992, with Lore and guitarist Joe Koontz. Soon horn player Tim Coates joined, and the three have been the core of the band since, cycling through several rounds of drummers and additional horn players.
The first of the band's eight national tours was a strictly grassroots affair. They booked a two-month road trip with the help of an underground zine called Book Your Own Fucking Life, which is published by San Francisco's Maximum Rock and Roll magazine, the veritable bible of the punk-rock scene. Book features national lists of everything from bars to recurring keg parties in the woods that want to book a punk band, providing readers with ample contacts.
Now AAA has a professional booking agent to schedule their gigs, and a deal with the indie label Hopeless Records, which released their second CD, All Fall Down, in January 1998, with a third to follow this summer. But even with all that touring under their belt, AAA maintains the same attitude they always had toward hitting the open road. "When we go on tour we just go out, we do the whole loop around the states," Lore says. "One bad thing about being from Miami, it takes you a good ten hours to just get out of the state, and then you're in fucking Georgia. The way we look at is, if we're gonna drive all the way up to New York, we might as well go to Chicago. If we're going to Chicago, we might as well go to California."
With a name like Against All Authority there's bound to be a few moments of antiauthoritarian tension somewhere on tour. But unruly instances are actually few and far between. Of course there was the time on their most recent tour opening for the legendary U.K. punk band GBH when they had to be escorted out of a Detroit venue with shotgun-toting cops after neo-Nazi skinheads started a rumble. And then there was the time at a club in Berlin, Germany, where there were so many fights in the crowd the band never made it through a song. Lore says the German crowd didn't comprehend the way AAA wants their rebellion directed. "Finally we told them we're not going to play if they kept fighting," he recalls. "We didn't want to be the cause of their violence. If you want to fight, fight the system, not each other. Go fucking smash a bank or something. We just had to load up and get out of there."