What's more Eastwood has always played the dinosaur, and from the general lack of sharpness in nearly every aspect of the film, it seems as if he is almost as bored with this idea as we are. Nearly every aspect of the picture seems recycled. The scenes of agitated bantering between Everett and his editor are macho pissing contests of the sort that we used to see when Eastwood was called on the carpet as a detective by a higher-ranking officer who is sick and tired of watching him turn the streets of the city into a shooting gallery. Throughout all this the only emotion Everett shows is irritation. During the jailhouse interview he has with Beachum, he seems completely indifferent to the answers Beachum gives. When Beachum and his wife ask if he believes their story, Everett turns around and growls back his answer. It's as if Everett had an afternoon tee-time and the interview was causing him to be late.
The entire project feels lazy and halfhearted, not least of all the finale in which Everett tries to beat the clock by driving the woman who has the one piece of evidence that might save Beachum to the governor's house so he can make that all-important, last-minute call to the prison before the clock ticks its last tock. By that point, though, whatever it was they were pumping into Beachum's arm looked mighty good to me.