Glorifying the influence of the mass market, the machine, violence, global communication, and war were all tenets of the ahead-of-its-time Italian movement known as Futurism. As the name implies, it was an attempt to propel the then-underdeveloped country into the future. Founded in 1909 by Filippo Tommaso Marinetti, the aesthetic experiment grew to encompass the visual arts one year later and was the first twentieth-century cultural movement aimed at the masses. The paintings, sculpture, graphic arts, architecture, and books produced by members displayed radiating lines and geometric forms to connote speed, movement, and modernity. Plenty of poems, films, musical compositions, and, like any good movement, a slew of manifestos, also sprang from the minds of members. As a complement to the exhibition, artist Annie Wharton's installation Plastic Theater, which combines sceneography, marionettes, and sound, will be on view in the Bridge Tender's House outside the museum. Painter and graphic artist Fortunato Depero joined the ranks of the Futurists in 1915 when he co-authored the manifesto Futurist Reconstruction of the Universe, which encouraged interaction between man and mechanistic art forms. A number of Depero's fascinating contributions to Futurism -- paintings, sculptures, decorative objects, furniture, graphic designs, tapestries, and more -- are on view in the exhibition Depero Futurista Rome-Paris-New York, 1915-1932 at the Wolfsonian-FIU (1001 Washington Ave., Miami Beach) through July 26. Admission is five dollars. Call 305-531-1001.
Before you spend all your waking hours sweating up a storm in nightclubs during the electronic-music and DJ-culture orgy known as the Winter Music Conference, cool off and take in a few movies. The kids at the Alliance Cinema (927 Lincoln Rd., Miami Beach) are hip to your interests and have programmed a selection of flicks that may appeal to you. Today through March 18 at 6:00 and 10:00 p.m. Modulations, a fast-paced, loosely constructed history of electronic music, returns to the theater. And each night at 8:00 TRANSCINEMA Shorts screens. Straight from blasthaus, a San Francisco gallery concentrating on the electronic and digital arts, the compilation features an array of international films and video projects. Included are Valerian Bennett's Synergy, a nonlinear documentary on the Southern California rave scene, and Wavetwisters, animated visuals set to the latest EP from turntablists extraordinaire the Invisbl Skratch Piklz. Tickets cost six dollars. Call 305-531-8504.
Talk about an awful way to get a book deal. In early 1997 journalist Maureen Orth was covering a series of murders allegedly committed by a wacko named Andrew Cunanan. Later that summer Cunanan paid a visit to South Florida, where he boldly murdered world-famous fashion designer Gianni Versace at his own doorstep in broad daylight. Versace never knew what hit him. His killer, on the other hand, had a good idea of what was in store. After a massive manhunt, Cunanan, desperate and on the verge of being apprehended, killed himself before authorities could nab him. What started as just another story for Orth naturally evolved into a book, Vulgar Favors: Andrew Cunanan, Gianni Versace, and the Largest Manhunt in FBI History. She autographs her volume this evening at 7:00 at Books & Books, 933 Lincoln Rd., Miami Beach. Admission is free. Call 305-532-3222.
More than a million people, 23 city blocks filled with nonstop music, vendors offering every kind of cuisine imaginable, kiddie activities, and folkloric presentations. No, you haven't entered the ninth circle of Hell. You're just at Calle Ocho, the world's largest street party thrown by the Kiwanis of Little Havana that starts at noon and goes until who-knows-when. It all takes place on SW Eighth Street, between 4th and 27th avenues. Admission is free. Call 305-642-8555.
As a kid you thought you had to be eligible for social security to set foot in the Forge. Your grandparents used to haul you there on special occasions. When friends came south to visit, your parents would drag them there, too. The imposing dark wood paneling, the spooky stained glass, the immense wine cellar, and the humongous slabs of meat. Like something out of a Vincent Price movie, it all screamed "fogy" to you. Well, the Forge is 30 years old now and, er, so are you. And lately you've found yourself drawn to the place. Granted they still host their fair share of blue hairs, but the clientele has gotten considerably fresher thanks to Shareef Malnik, the young scion who took the place over from his dad. He added wild Wednesday night parties, an exclusive cigar club, and an elite nightspot right next door. Tonight The Forge's 30th Anniversary promises to be a bash of major proportions. Expect the usual excess from special-events wizard Barton G: dancers, aerialists, elephants, fire-eaters, a DJ, a swing band, and more. A block party featuring live music from Grupo Nostalgia, free champagne, caviar, and presentations from civic bigwigs starts at 7:30 p.m. and is open to the public. If you want to join the revelry inside, space is limited, so make reservations. Call 305-538-8533.
The University of Miami's Lowe Art Museum (1301 Stanford Dr., Coral Gables) underwent an expansion a few years ago, and now counts itself as the biggest museum in South Florida. More room for partying, we say. Tonight at 7:00 the Friends of the Lowe and the University of Miami's Department of Art and Art History throw Spring into Art, a little shindig to raise some coin for the museum's Francien and Lee Ruwitch Educational Endowment Fund. On tap other than fabulous food, art, and entertainment: a silent auction of more than 50 works by UM faculty, art students, and full-time artists such as Romero Britto, Pam Andre, and Kristen Holeman. Tickets cost $100 per person. Call 305-284-6756.