By Juan Barquin
By Ciara LaVelle
By George Martinez
By Kat Bein
By Ciara LaVelle
By Travis Cohen
By Carlos Suarez De Jesus
By Monica McGivern
The five-member panel, led by league president Barry Steinman, included Jerry Waxman, producing director of the Hollywood Boulevard Theatre; Rafael de Acha, producing artistic director of New Theatre; Barbara Stein, executive producer of Coral Gables's Actors' Playhouse; Earl Hughes, director of production at the Coconut Grove Playhouse; and George Contini, who works for various theaters as actor, playwright, director, and literary manager. All expressed optimism based primarily on increased ticket sales at their respective venues. But the audience -- consisting of actors, writers, producers, directors, and educators -- was less sanguine.
Audience members argued that, although outreach and discount-ticket programs already exist, they need to be expanded so theaters can continue to draw larger and more diverse audiences. The panel dismissed the need for expansion, saying the next step is to target niche audiences, with productions offering black, gay, and Hispanic themes.
Stein reminded everyone that ultimately the production itself determines the potential for filling seats. She recalled her theater's recent success with West Side "I knew we had arrived when a scalper in Aventura was selling tickets for $75. At its last performance a person had a sign reading, 'Will pay anything for two tickets.'" But her theater's current production, Corpse!, is a somewhat obscure four-character production, which is bringing in smaller houses. "Let's face it," she said, "it's still true: You're only as good as your last production."
The only naysayer on the panel was Contini. "Each of your theaters has seen tremendous growth, and I have seen great things on your stages," he admitted. "Then why am I so depressed?" He elaborated: "I was flipping [through TV] channels and came upon a documentary on vaudeville and thought, 'This is us. We're a museum piece.'"
Contini had a suggestion for updating theater in South Florida: Forge an identity, just as other regions have. Chicago theater, for example, is recognized for its brashness; Seattle for its experimentation; New York for its cutting-edge off-Broadway playhouses. So what should South Florida be known for?
"We need to focus on nontraditional casting, and I don't mean simply casting a black person in a white role," Contini said. "I mean throwing out any idea of what a cast should look like and taking advantage of the multiethnic mixture of our community."
While it may not be commercially viable, at least it's an idea. The latest roundtable avoided the lengthy gripe sessions of the past three years, but it offered no concrete solutions. That's too bad, because the community needs leadership, more loyal audiences, and a distinct image -- not just increased ticket sales. I applaud the league's commitment to fostering dialogue, but thus far the roundtables have produced plenty of talk but no action.
Written by Gerald Moon; directed by David Arisco; with Wayne LeGette, Gary Marachek, Hugh M. Murphy, and Harriet Oser. Through February 14. Actors' Playhouse, 280 Miracle Mile, Coral Gables, 444-9293.