By Michael E. Miller
By Ryan Yousefi
By Kyle Munzenrieder
By Sabrina Rodriguez
By Michael E. Miller
By Carlos Suarez De Jesus
By Luther Campbell
By Kyle Munzenrieder
Satiated in the oasis of plenty as the parched lap at the waters, stumbling out of the house -- a celebrity-free trade zone -- for a night at the movies. Appropriately enough, nodding through The Basketball Diaries, Jim Carroll's tough downtown poetry transformed into well-meaning dreck. Marky Mark, who we last witnessed at Warsaw performing his trademark cock-teasing routine, making a nonembarrassing bid for muscle legitimacy. Back to the shooting gallery of Miami Beach, a friend talking of Barcelona, where twelve-year-old addicts play basketball and inject heroin on the streets, the government helpfully providing sanitary needle dispensers. As if on cue, a call coming in from Europe, a regionally famous heroin addict in exile -- known for having very young things around in sordid circumstances -- spending the summer on methadone. Unlike us, the prince of darkness doing the grand tour in style: surfing, riding around in a convertible, three models-cum-nurses attending to his recovery. It's a small, ugly world, the support group featuring a sixteen-year-old lass Madonna once toyed with to torture John Enos, assorted Nurse Ratcheds, and Shareef Malnik's former girlfriend. Naturally enough the conversation revolving around the golden arm of Miami:
"I made a deal with God on Good Friday -- keep me away from that shithole world of South Beach, those fucking clubs, and I'll quit dope. Maybe it's time to write a Philadelphia kind of thing about drugs. You know, it's no wonder I became what I did A just look at my affinity group: Jim Morrison, Baudelaire, and Tommy Pooch." But then perhaps we're all guilty of original sin, plunging sensitive youth, the poster children of the new millennium, into the bowels of the netherworld.
From there, staying well above ground, letting various social opportunities drift by. Monti Rock III, "the outrageous, the unthinkable," hosting a "Tres Bizarre" alternative talk show at Cafe La Bonne Crepe in Fort Lauderdale, the Rock always in step with the times. The "Thursday Nite Live" series at the Center for the Fine Arts, a provocative Andres Serrano giving the white-wine set something meaty to talk about. Monday madness at Embers, suffused with the siren song of models. Norma Jean Abraham having a birthday party at S.O.B.'s, bringing a morsel from her dad's automobile dealership: Rolando Martinez, former political person and current car hawker, flying out to Los Angeles for a technical advisory stint with Steven Spielberg, now working on a Bay-of-Pigs-meets-Watergate movie in his spare time. The great force of Spielberg, the man who's stayed home, stayed focused, and beat every game.
And really, why go out when there's work to be done, and the telephone is so handy. The 79-year-old Angier Biddle Duke -- rake, ambassador, and scion of a vast tobacco fortune -- departing Earth with a cheering aplomb, struck by an errant automobile while Rollerblading in Southampton. Nick Nolte looking at a home on famed stretch Brickell Avenue, the family-man-gone-snatch-crazy Kevin Costner probably on the Miami track, as well, happily married celebrities never seeming to take second homes here. Johnny Depp, normally given to quietly shacking up at the Raleigh with Kate Moss, sucked into the glittering vortex of Gianni Versace, host-with-the-most. Depp, a hometown boy from podunk Medley, joining the endlessly expanding roll call of celebrated house guests. One day, no doubt, the Clintons will take their rightful place on the Versace all-star team.
Calle Ocho, the land of light on a splendid Saturday evening, taking in Albita Rodriguez's show for the first time, the last remaining quasi-hip American to make the obligatory pilgrimage to Centro Vasco. Since our initial encounters with the budding legend some years back, Albita has evolved into an iconographic figurehead of chic, the isn't-Miami-cool nexus of the fashionable world. In her days as a freshly minted exile artist of authentic Cuban country music, Albita had talent to burn but no act, standing around in butchwear, earnest and wooden. Now under the stylistic guidance of the useful -- Emilio Estefan, Madonna, Ingrid Casares, Gianni Versace -- and the hype of famous fans, from Jack Nicholson to Liza Minnelli, Albita has become a true star-is-born story, learning well from the masters.