By Michael E. Miller
By Ryan Yousefi
By Kyle Munzenrieder
By Sabrina Rodriguez
By Michael E. Miller
By Carlos Suarez De Jesus
By Luther Campbell
By Kyle Munzenrieder
Red alert on the Holy Grail of fame, Two Much actors Antonio Banderas and Daryl Hannah lounging together in a booth, snuggly-wuggly as all get out. Either last week's screen kiss on Lincoln Road has taken root, or perhaps the harmless after-hours bonding of colleagues, in the sophisticated manner of movie stars A accustomed to doing whatever the hell they want. No rules, no fear, both stars personable and polite, enjoying a rare day off from the production. Banderas, born for black leather and intelligent hunkdom A the man who wisely turned down Madonna in Truth or Dare A explaining the Two Much story, something about a character who invents a sleazy twin brother for the purpose of picking up girls. Not a bad operating policy for the plot twists of clubs, where pernicious daylight truths intrude on the nocturnal suspension of real life. Hannah living on Pine Tree Drive, happy in the new Lotus Land, especially given the limited engagement of her stay: "It's great down here, all new to me. Of course, I've only been in town a little while."
A late evening precluding a stab at the uplifting on Sunday morning, Health Crisis Network's AIDS Walk Miami, producer Richard Jay-Alexander razzle-dazzling the troops: Grand marshal Rosie O'Donnell arriving on a Harley; Cindy Crawford, the empress of exercise, declining to lead the warmup stretches but walking a very long runway. The weekend's program also bringing a launch party for Aviar Films on Espanola Way, hosted by partners Migel Delgado, Frank Espinosa, and Yuri Gomez. Vaguely Warholian throughout, reality, fantasy, and art blending imperceptibly, Delgado unveiling two recent projects as party favors. A futuristic television pilot, WarpSpeed, engulfing one room, district personality Gilbert Stafford emoting powerfully and blasting through civic landmarks; the film noirish Fractured, featuring Delgado, Geo Darder, Carlos Betancourt, and other homeboys, playing in another screening room. The cast of both productions on hand, lending an agreeably surrealistic note, amplified by Andrew Delaplaine of Wire. The people's-choice publisher ready to announce his candidacy for the upcoming Miami Beach mayoral race, echoing William F. Buckley's classic remark: "If elected, I'll demand a recount."
As it happens, the entire week too nutty for words. Wednesday night, taking dinner at the Fashion Cafee, G. Jack Donahue of Irene Marie Model Management and P.R. Inc., our new best friend lately, hosting his weekly homage to this crazy little town. A vast table set up on the sidewalk, all of us living a La Dolce Vita outtake, a Vogueian mix between a baroque Diesel Jeans ad and a catalogue shoot, transmogrified by Fellini. Some big-ticket girls on hand, pouting in a silky my-temple-is-sacred-and-expensive manner, as well as a renowned male model, poised on the cusp of the American dream. Discovered by Bruce Weber A master of creepy paens to rough youth A the former college football player's modeling success leading to Elton John and his portable force field of glamour. Fabulousity may be overrated, but there's something to be said for fraternization with the moneyed: John's helicopter landing on the roof of Trump Tower and whisking the lad away to his concerts, Mr. Entertainment dedicating his Marilyn Monroe salute to a man called Monroe. Further down the table a perky little nonmodel in buckskin A Ratso Rizzo crossed with a gay Cochise A agog over Monroe's earning potential, breaking into spontaneous disco shimmies: "This sure isn't like Texas. People down here are a lot more flexible about sex." You go, partner.
Dinner gliding on, various flotsam drifting over to the table, Donahue an Irishman on a roll: "South Beach is a sea of uncertainty, a sunny place for shady people. The floating menagerie, the rogues' gallery, the Crackerjack box of the self-invented, using one another like cheap motel rooms, united by ruthlessness, the spice of defeat, and the fact that they have nowhere else to go." True enough, but then, any party improves with a little friction. As if on cue, two street evangelists, wearing denim jackets scrawled with religious pronouncements, joining the merry throng and lending a touch of moral authority. Both gentlemen recounting the saga of Lazarus, modern horrors ("We've been praying for the van we live in; somebody broke in the other night"), and then, at Donahue's urging, laying hands upon our cinder of a soul. God's disciples, not surprisingly, briefly recoiling at our massive negative vibery and exclaiming at once: "Lord, this man has been doing the Devil's work. We beseech you to drive this evil out of him!"