By Laine Doss
By Ily Goyanes
By Camille Lamb
By Laine Doss
By David Minsky
By Emily Codik
By Zachary Fagenson
By Laine Doss
Like most people, I schedule my social life according to my professional life. I (usually) stay out late or turn in early in direct relation to what I must achieve -- or how I must act -- at my job. It's a simple truth to which I conform, digestible if not completely palatable: One cannot be a queen of the night if one must be a peon during the day. One cannot even be a princess.
For me, a typical evening's ingredients include good friends, good wine, and good food, most often in that order. Or better yet, all at once. I find this recipe infallible for both socializing and socialization -- that is, adapting myself the next morning to the workaday world with as little pain as possible. Of course, if the wine is especially memorable, it allows for variation. I'll occasionally add a nightclub to the mix, whisking myself into the company of several hundred people whose memories depend on how much they imbibe.
But only my friends Athena and Zeus can convince me to tackle the monstrously trendy South Beach scene without gastronomical fortification. On a recent Thursday evening (which on South Beach qualifies as a weekend night), I agreed to an outrageous scheme: first clubs, then cuisine. Several restaurants offered late-night eats, my friends assured me. Most notably, Washington Avenue's new Union Bar and Grill targeted what some of us might consider after-hours -- you know, that sleep zone between the ten o'clock news and the Today show.
It seemed to be an enticing opportunity, until my friends and I found ourselves at midnight standing outside Union Bar, having been denied entrance. Only after Zeus's and Athena's ardent persuasion were we permitted to wait on the sidewalk -- not at the bar, mind you -- at a public eating establishment that serves food until 3:00 and stays open until 5:00 a.m. Meanwhile, other groups who approached the squadron of sleeveless, pumped and oiled musclemen working the door gained admittance. They knew the secret code: "We're here for Tara Solomon's birthday party." No guest list was consulted, no invitations were produced. But the Grease Slick in charge bent and removed his velvet rope blockade so swiftly that it almost looked like he was bowing.
I'm not surprised Ms. Solomon's name opens doors on South Beach, especially at her own birthday celebration. Nor am I upset over not being invited -- I've never met her. But these events do leave me somewhat astonished that a new restaurant would so haughtily turn away customers, especially a restaurant that proclaims itself in its advertising as a "respite" from trends, a sophisticated alternative to the larger nightclubs where clients are selected by a determination of their appearance and connections.
But I'm not only a good eater, I'm a good sport. And while I maintain that Union Bar and Grill broke the implicit promise that every restaurant makes -- unless it accepts membership dues -- to serve the public, I admit that by not calling ahead for a dinner reservation, I was also unfair. Persuaded by this thought, and by positive comments from acquaintances who'd already dined there, I returned for a meal on a different evening.
Once one safely crosses the threshold, Union Bar is pleasant and inviting. First-time restaurateur Andrew Kostas III (he designed his uncle's Zio Luigi), along with designer Gabriela Dahl (she designed the Chili Pepper), have created intriguing spaces that combine the airy warehouse look of a New York bar with the couch-and-chaise-longue comfort of a Seattle coffeehouse. A "library" and a billiard area add an upscale British feel, while an enclosed room for dancing is all Beach. "Union" is an apt name for such a place, where every element of an evening's entertainment -- from dining to dancing to dessert and coffee -- appears to be readily available. For some, it's one-stop shopping; for club-bunnies, it's the last hop before bed.
Hopping it definitely is. Some of Union's instant popularity may stem from the chefs' connections. Formerly of Bang, another restaurant with a penchant for parties, consulting chef Mitchell Maxwell has compiled a menu heavy on appetizers and light on entrees. Executive chef Joe Minotto, a Culinary Institute of America graduate (they should plan their next class reunion in this town), formerly of Shabeen and extensive European apprenticeships, creates his own specialties in the kitchen.
Although this confluence of culinary talent could lead to diners' unreserved accolades, the preparations my companions and I shared ranged from mouth-watering to merely mediocre. Perhaps my biggest quibble was the chill that permeated our meal: every dish, including the after-dinner coffee, was less than lukewarm. Maybe the long distance between kitchen and table stripped the steam from our food. But it tasted more as if the dishes had been left untended and undelivered after their preparation, allowed to reach a level of cool even Ice Cube couldn't equal. In fact, the only thing that wasn't cool at Union on this night was the water. This is Miami. This is July. Water must have ice in it. Even tap water. Tap water is water, too.