By Emily Codik
By Valeria Nekhim
By Hannah Sentenac
By Valeria Nekhim
By Carla Torres
By Emily Codik
By Carina Ost
By Laine Doss
Most people associate Tony Roma with the huge ribs-and-chicken chain that bears his neon name. Some might even link him to the popular Playboy Clubs he opened for Hugh Hefner during the Seventies' bunny bonanza. But few would trace him to the inception and subsequent failure of forgettable nightclubs and restaurants in cities as diverse as Montreal, New York, and Miami.
Marty Dubin, co-owner of Nantucket, might be one of those few.
A former partner of Roma's, Dubin tried twice to jumpstart Roma-instigated operations in Miami. The first attempt, Tony's Pelican Harbor, opened in late 1990 to tremendous hype, an enthusiastic crowd, and a favorable review from this paper (June 5, 1991). But it closed soon after with little attendant fanfare.
Dubin blames the decline on weather. The restaurant, a 79th Street Causeway waterfront playground complete with white sand beach, arcade games, a souvenir shop, and a miniature marina, relied on that famed Florida sky juice -- sunshine -- for success. When eleven out of twelve weekends in a row were taken instead by storm, Dubin "stopped counting"; the partners cut their losses along with their boating customers' spring lines.
Their humble bow to Mother Nature was only temporary, however. Later that year, Tony's Pelican Harbor re-emerged as Porto Bello, an Italian incarnation of the same restaurant. But like a (pizza) pie in the partners' faces, Porto Bello failed as well, as definitively if not as dramatically.
This second pratfall marked the end of the Roma-Dubin partnership, but it did little to mar Dubin's determination. His ambition to open a restaurant on what could be, with the right talent, a lucrative site was matched by the managing prowess of restarateur Tom Billante, a founding owner of South Beach's Mezzanotte. (Mezzanotte is still considered, albeit arguably, to be the finest Italian on the Beach. It's also the designated meeting-house for the high-society, model-minded crowd, a throne threatened lately by the tiresome threesome: I Tre Merle, 411, and the newest Manhattan transfer BANG).
Dubin and Billante, who knew each other socially but had never worked together, seem tentative yet optimistic about third strike Nantucket. As its name suggests, Nantucket (the real Nantucket is an island off the coast of Massachusetts) is styled after New England lobster houses, in this case upscale ones like Boston's Anthony's Pier 4 and Jimmy's Harborside. Boasting bay-window views, these places are ultimately attractive to tourists, but serve good seafood nonetheless. Nantucket, perched directly on the Intracoastal, appears destined for the same fate.
The restaurant is not unattractive to residents, though. In fact, Nantucket's mid-November premier went unheralded by anything but local word-of-mouth. Judging from the business attained on New Year's Eve (Dubin estimates more than five hundred dinners were served, which means every table turned at least once in this massive 250-seat affair), Nantucket already enjoys a solid reputation for Northern seafood favorites along with a host of South Florida fish dishes. For example, Block Island crabmeat stuffed flounder ($16.95) and grilled salmon topped with arugula, radicchio, endive, and chopped tomato ($17.95) clash fins with poor relatives like red snapper Francaise with mushrooms ($17.95), and black grouper with artichoke, mushrooms, and potato ($17.95).
This combination of seasonal (what the defenders of the North call cold weather) and tropical entrees is strange but necessary to preserve the balance of Nantucket's balmy location with expectations of its northern namesake. However much it detracts from the authenticity, the menu reflects the unlikely marriage of New England to the South. And the decor plays pastor.
Designed by Jan Jones (who also is responsible for Baci and Hong Kong Louie's in Mizner Park), Nantucket highlights gas-burning fireplaces and lighthouses (even the tabletop lanterns are lighthouses) which present themselves like remnants from the Pelican Harbor's souvenir shop. Worn pilings, rubbed into crags by a mythical tide, punctuate hardwood tables and an already-scarred wood floor, painted to resemble white pine. Though the atmosphere is meant to be cozy and convivial, the gargantuan room defies a truly intimate experience. Too, the tropical touches such as the thatched roof (which is supported by industrial-sized metal pipes) and a pastel fish sculpture speak of Caribbean influences not generally found on northern isles.
Two bodies of water actually coincide within the restaurant. A pond stocked with peaceful koi -- Japanese carp -- fronts a spitting-fish fountain and is lined with tables and multi-colored director's chairs. Patrons can dine pondside after visiting the holding tanks in the lobby, where less peacefully, live Maine lobsters climb the glass walls in a frantic and futile attempt to escape. At $13.95 per pound with a two-pound minimum ($3.00 more per pound for baked and stuffed), these shellfish are almost as pricey as koi. One wonders how carp would taste steamed and served with drawn butter.
Of course, I eventually surrendered to my cruel whim and ordered a steamed lobster, though I declined the privilege of designating my own.(It's like choosing from which cow you want your steak.) But the lobster was expertly done -- firm, buttery flesh, not tough. Even without the touted side dishes of fresh vegetable and potato -- which never appeared -- I could not be distracted from my task. Still, I had anticipated at least a garnish.