By Michael E. Miller
By Ryan Yousefi
By Kyle Munzenrieder
By Sabrina Rodriguez
By Michael E. Miller
By Carlos Suarez De Jesus
By Luther Campbell
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Not a word was heard of Pierre Leach and his "Fun Radio" (91.7 FM) outside Mango Hill from the inaugural broadcast on Thanksgiving Day 1990 until mid-1991, after Leach made the fatal mistake of erecting signs to make neighbors aware of the Fun. Deeming the placards an annoyance, a Hialeah city official reported the station to the Federal Communications Commission, which silenced Leach on September 12, 1991. Now he's been squelched and has a $1000 penalty, levied by the FCC and payable to the U.S. Treasury, hanging over his silent headphones.
One of a half-dozen radio operators busted since last fall in what the FCC swears is not a crackdown, Leach maintains that his operation wasn't illegal, that among the myriad laws and regulations controlling America's airwaves, he was sure he'd found a legitimate, if maverick, niche. "I was trying to operate a clean station, and I was identifying my location and phone number at least every half hour. But I'm not about to break the law," he adds hastily. "It's not funny or wise to break the law."
John Theimer, the Miami FCC office's chief engineer, says the FCC considers so-called radio pirates a "major concern." The FM band, explains the 22-year FCC vet, is just below the aviation band, meaning that stray signals broadcast by amateur pirates could interfere with air-traffic control. "It's about safety," Theimer says. "There is a potential for danger, and the priority would be much higher if we got a complaint from the FAA that aircraft were hearing interference on the tower frequency. Then it would be a safety-of-life issue."
Theimer says that although his organization doesn't actively seek out pirates, the FCC responds quickly to complaints. Once the existence of an illegal station is confirmed, mobile units with directional finders pinpoint the exact location, and then issue a verbal warning, along with FCC Form 835. If piracy persists, the FCC pulls out its big gun: monetary forfeiture - bureauspeak for what essentially amounts to a fine. "We are no longer playing games," Theimer stresses, waving a nine-page policy statement issued this past August. "This new policy raised the forfeiture from $1000 to $8000 per day. That mounts up real quickly. And there are better ways to invest your money than turning it over to the U.S.
Jeff Brown would agree. For three years Brown operated WLUV radio at 90.9 FM, in order to provide a service otherwise lacking on the FM band. "I come from a family that does a lot of things for the community," says Brown. "I don't feel like a pirate. I feel I had a station with gospel seven days a week for the older people. We counted on donations. On weekends we had Haitian and Hispanic stuff. I was spending money to keep it going, I wasn't making money. I had a problem with the transmitter one time, and everyone was asking, `What can we do?' People were willing to do anything to help."
A music arranger with electronics training, Brown claims his station never intruded on other broadcasts - "no harmonics, no interference, nothing." Still, according to Theimer, somebody from a licensed station reported him to the FCC. Brown doesn't know who told on him; the FCC refuses to say. Brown muted his operation on January 7 after FCC agents showed up at the Florida City warehouse he was using as station headquarters. "They came knocking on the door, saying `we're from the FCC,'" the erstwhile broadcaster recalls. "`We want to check you out, where's your license?'" The 23-year-old South Florida native feels betrayed. "Yeah, the FCC makes the airwaves safe," he says. "They make it safe for commercial stations hyping money out of people's pockets." As for the fink, Brown adds, "That person should feel lower than low. Now the old people have nothing."
Errol Ross is another recent bustee. Originally from Jamaica, Ross spent more than five years in the U.S. Air Force and another seven in the private sector learning about electronic engineering. But when he went to work providing 24-hour Caribbean-music programming on a cable radio frequency for Adelphia Cable Communications subscribers, Ross found himself caught in a triangle.
Ross's broadcast was beamed from a studio in the Southwest Dade neighborhood of Devonaire to Adelphia's transmitter, and from there it went out on the airwaves. But the studio was situated beyond the reach of the transmitter's signal, so Ross found that he was unable to monitor his own program. He came up with an ingenious solution - or so he thought. Ross set up a receiver and a low-power transmitter at his house, which was located within the cable company's range. From there the signal was rebroadcast to the studio on the FM band, completing the triangle.