By Rebecca Bulnes
By S. Pajot
By S. Pajot, Liz Tracy, Kat Bein, & Sean Levisman
By Kat Bein
By Ashley Rogers
By Jose D. Duran
By David Rolland
A British pub in the heart of Little Haiti staging distinctly American (and distinctly nonmainstream) rock and roll hardly seems a likely candidate for institutionalization as a cultural treasure. The other type of institutionalization (as in nutsy) perhaps, but appearances always deceive, and Churchill's Hideaway has watched many a more-typical rock club come and go over the years.
It's still here.
When he took over the unlikely 45-year-old venue a dozen years ago, Dave Daniels could have been seen as a man who should be committed. Turns out he was committed to providing an outlet for rock acts ranging in stripe from the Prom Sluts to Charlie Pickett, from Scraping Teeth to the Eat to Vesper Sparrow, many of them enjoying their finest hour. This month the venerable club celebrates another anniversary, and this Friday it stages bands Daniels admits have difficulty getting gigs in most clubs. Business as unusual.
Daniels booked the talent for music clubs in his native England before arriving in the States during the bicentennial celebration of the Declaration of Independence. Twelve years ago he took over the nondescript building at 5501 NE Second Ave. At the time the place, open since 1946, was known as the C&H, a neighborhood bar featuring two pool tables and not much else. "They used to close at 7:00 p.m.," Daniels recalls. "The old-timers would go home and the owner would go to bed."
After expanding the initials to Churchill's Hideaway, Daniels began an endeavor to attract evening crowds. "A few years later," he says, "as the neighborhood was losing old-timers, who were dying or moving away, I figured I had to make some changes." Seven years ago he knocked through a wall to expand, and installed a satellite dish in order to attract fans of British sports, especially soccer and rugby.
The next step was live music. "The early groups were kind of punkish," Daniels says. "Then we got into a string of the better local groups, like Myron and the 2 Wotz, Charlie Pickett. At some stage, Charlie and a group called Perfect Strangers would do a date each month, and they tended to be the biggest draws of all the groups we used. RBT was third. We had a regular corps of groups." The pool tables and satellite dish remained, with the room divided down the middle by the bar. About three years ago Daniels's pub grew again when he knocked through another wall and put in air conditioning. There's a kitchen in the rear, and a patio outside that has hosted barbecues and acoustic shows. The interior is chaotically decorated with things English. Sorry - British.
Throughout the years the Hideaway hosted some of the greatest concerts ever staged in South Florida - the Chant, Pickett, and virtually every worthwhile local band that ever plugged into an amp. The Silos once drew an enormous crowd, which they blew away with a devastating performance long before they signed to RCA. (The band has since broken up.) Traveling upstarts such as Mary My Hope and the Buck Pets made their area debuts (dynamically in both cases) at the club. Lava Love, from Atlanta, one of the best live acts in the nation, has played only one SoFlo date. At Churchill's.
While Daniels is selective about the talent, he's also opened up to the unusual. Last year, Thursdays at C.H. became famous, or at least infamous, as avant-weird Scraping Teeth, the inimitable Rat Bastard, and Tina's Dirty Girl Revue - a sort of political striptease - established a routine that was anything but routine. A tradition also developed around Friday the 13th nights. "It was sort of a hangover from the punky groups and things," Daniels explains. "We used off-the-wall bands. All of this probably began with the Trash Monkeys. It would usually be an aggregation of groups we didn't particularly want to use on a Friday or Saturday. Now we give them one weekend each month, regardless of Friday the 13th." This week the stage is turned over to "Lola-oo-mow-mow-au-pookie," a/k/a the Prom Sluts reunion show, also featuring Methadone Actors, Human Oddities, the Stun Guns, and Strongbox. And Saturday the club hosts a benefit for the Sierra Club featuring Gary Wilson, Boise & Moss, Maverick Bobby Reynolds, the Randies, and Jonelle.
Beers at Churchill's cost one dollar for draft ($1.25 during shows), $1.60 for a Bud longneck ($2 when entertainment is on). Pint servings of the numerous imports in stock are $3.25. If you've never been there, this is the perfect month, with a many-bands party celebrating both the C.H. anniversary and the release of the CD version of the Miami Sunburn Remedy compilation on September 21, and a concert by the Chant on September 28, among many other special shows and events. And if you've never been, take some advice: Try the shepherd's pie.
As a toast to the venerable rock hole, we've casually surveyed some of the regulars:
Prom Slut Sir o: "We kind of started there about six years ago, and had an off-and-on relationship with Dave. It's a good place to get fucked up, a good place to hang out, laid-back, as opposed to Washington Square and places like that. Churchill's is one of the few bars where the bands more or less control their side of the scheme. Other clubs are too much control, and not enough care, about the bands and what they want."